sakamotocommon OSAKAのメインビジュアル sakamotocommon OSAKAのメインビジュアルスマホ用

sakamotocommon OSAKA
1970/2025/OSAKA/RYUICHI SAKAMOTO 8.30 - 9.27 [2025]

Exhibition Period

2025.8.30(Sat) – 2025.9.27(Sat)

Admission Fees

() = price for same-day tickets sold at the counter
Adults: ¥2,200 (¥2,500)
18 or under: ¥1,100 (¥1,100 same price)
Include those who will be 19 years old by March 31, 2026
University students: ¥1,800 (¥2,000)
Visitors with a Disability certificate: ¥1,100
Up to one accompanying person for same price
Preschooler: Free
No reservation required
Learn more

Venue

VS.
at GRAND GREEN OSAKA

Opening Hours

10:00AM - 8:00PM
Last admission: 7:30PM
* Opening hours may vary depending on events

Organized by

KAB Inc.
VS. Joint Partnership

Sponsored by

Digital Garage, Inc.
Kakaku.com, Inc.
New Balance Japan, Inc.
MEDICOM TOY CORPORATION
Avex Entertainment Inc.

Cooperated by

Osaka Prefecture
Baschet Association of Japan
Kyoto City University of Arts
GEIDAI FACTORY LAB
Knowledge Capital Association
Yamaha Corporation
Sony Corporation
XEBEX Inc.

Supported by

FM COCOLO

Recollection, Time, and Sound… What did Ryuichi Sakamoto encounter at Expo '70 in Osaka?
Here are the unknown connections between Sakamoto and the city.

This will be the first major exhibition of Ryuichi Sakamoto to be held in Osaka.

About

Expo 1970 Osaka and RyuichiSakamoto

In 1970, at the age of 18, Ryuichi Sakamoto encountered a vast array of music and art at Expo ’70 in Osaka, held under the theme“Progress and Harmony for Mankind.” From the national pavilions echoed avant-garde electronic sounds rooted in atonality—TōruTakemitsu’sCrossingandSeasons, Yuji Takahashi’sEgan(an early inspiration for Sakamoto), and JōjiYuasa’sMusic for Space Projection. At the West German Pavilion, KarlheinzStockhausen performedSpiraldaily in a spherical auditorium.ThePepsi Pavilion presented the world premiere of Fujiko Nakaya’sfog sculptures, while IannisXenakiscreatedHibiki-Hana-Mafor the Steel Pavilion, which also featured sonic sculptures by François Baschet.
These experiences would leave a lasting imprint on Sakamoto—becoming a conceptual spine for his lifelong exploration of sound. The emerging world of synthesizer-based electronic music also profoundly shaped his vision. Beginning in 2016, Sakamoto was able to perform and record with the original Baschetsound sculptures from Expo ’70, weaving their unique timbres into his own compositions. These experiments culminated in his 2017 albumasync, and echoed once more in his final stage work,TIME.

Expo 2025 Osaka and “sakamotocommon”

In 2025, as the World Expo returns to Osaka, we ask:might we pass on the inspiration that once stirred the young Sakamoto—to a new generation of creators—through the platform of sakamotocommon? With this in mind, we begin our project from “VS.,” a newly opened space in Umeda, Osaka.The exhibition will feature the Baschetsound sculptures originally shown at Expo ’70, along with newly created instruments crafted by the BaschetRestoration Team at Tokyo University of the Arts and Marti Ruiz —made especially for Sakamoto. In addition, using performance data from Sakamoto himself, audiences will be able to experience his beloved grand piano playing once more—offering a quiet echo of the hands that once shaped its sound.

Exhibits

  • Ryuichi Sakamoto + Shiro Takatani, LIFE—fluid, invisible, inaudible...
  • Ryuichi Sakamoto: Playing the Piano 2025 - D
  • Baschet sound sculptures
  • Ryuichi Sakamoto, on async
  • Ryuichi Sakamoto + Zakkubalan, async–volume
  • Ryuichi Sakamoto + Apichatpong Weerasethakul, async–first light
  • Apichatpong Weerasethakul, Durmiente
  • Ryuichi Sakamoto “Ryuichi Sakamoto: Playing the Baschet”, "12" 360 Reality Audio
  • Ryuichi Sakamoto Archive: 1970‐
  • Sakamoto Library – Extension

Baschet Sound Sculpture

©KAB Inc.

The exhibition will feature the Baschet sound sculptures originally shown at Expo ’70, along with newly created instruments crafted by the Baschet Restoration Team at Tokyo University of the Arts and Marti Ruiz —made especially for Sakamoto.

Ryuichi Sakamoto: Playing the Piano 2025 - D

©KAB Inc.

Using performance data from Ryuichi Sakamoto himself, audiences can experience his beloved grand piano playing once more.

Ryuichi Sakamoto + Shiro Takatani, LIFE—fluid, invisible, inaudible...

Ryuichi Sakamoto + Shiro Takatani LIFE—fluid, invisible, inaudible...
Ryuichi Sakamoto: Seeing Sound, Hearing Time - Museum of Contemporary Art Tokyo 2024, Ryuichi Sakamoto + Shiro Takatani《LIFE–fluid, invisible, inaudible...》2007 ©2024 KAB Inc.  Photo by Asano Takeshi

Ryuichi Sakamoto + Zakkubalan, async–volume

Ryuichi Sakamoto: Seeing Sound, Hearing Time - Museum of Contemporary Art Tokyo 2024 Ryuichi Sakamoto + Zakkubalan 《async–volume》2017 ©2024 KAB Inc. Photo by Asano Takeshi

Ryuichi Sakamoto + Apichatpong Weerasethakul, async–first light
Apichatpong Weerasethakul, Durmiente

Ryuichi Sakamoto: Seeing Sound, Hearing Time - Museum of Contemporary Art Tokyo 2024 Ryuichi Sakamoto + Apichatpong Weerasethakul 《async–first light 》/ Apichatpong Weerasethakul《Durmiente》2017/2024 ©2024 KAB Inc. Photo by Asano Takeshi

Sakamoto Library - extension

坂本図書 分室のイメージ

"Sakamoto Library" is a project by Ryuichi Sakamoto to share his personal book collection with a wide audience, while also sharing the cultural assets of "books that moved someone's emotions." The initiative was launched in 2017 by Sakamoto himself, and in September 2023, he opened "Sakamoto Library" at an undisclosed location in Central Tokyo, where visitors can read books from his collection. The library operates on a reservation-only basis due to its limited space. A branch of this library will be featured at VS., recreating Sakamoto’s reading environment and featuring a selection of rare books and original merchandise from the collection, available for purchase.

Ticket

Ticket Sales Begin:
August 1, 10:00 AM

Advance online reservations required:
*Tickets can be purchased at the ticket counter on the day of the exhibition if there is space available in the date and time slots.

Admission (tax included):
() = price for same-day tickets sold at the counter
Adults: ¥2,200 (¥2,500)
18 or under: ¥1,100 (¥1,100 same price) Include those who will be 19 years old by March 31, 2026
University students: ¥1,800 (¥2,000)
Visitors with a Disability certificate: ¥1,100 Up to one accompanying person for same price
Preschooler: Free No reservation required

* No changes, cancellations or refunds are allowed after purchase

Ticket Sales Begin:
August 1, 10:00 AM
Official Online Ticket
Credit Card,auPAY,PayPay
Ticket PIA
Convenience Store Payment,Credit Card
sakamotocommon

sakamotocommon was launched to share the tangible and intangible assets of RyuichiSakamoto. The initiative strives to serve as a common ground where future creators can connect and continue to build on the work that Sakamoto sent into motion. During his lifetime, Sakamoto often said that the creative process was what intrigued him, even more than finished product itself. In this spirit, we believe that Sakamoto’s story is not something meant to be merely locked away under museum glass, but rather, partofa living process that continues to grow and offer fertile ground for cultivation long after his death.Joinsakamotocommonin exploring the next chapter in this evolving process, open to all.



sakamotocommon.org
sakamotocommon
©2020 Photo by Neo Sora

Ryuichi Sakamoto

Born in Tokyo in 1952. Graduated from Tokyo University of the Arts, master’s degree program, and making his debut in 1978 with the album Thousand Knives. In the same year, participated in the formation of the legendary techno group Yellow Magic Orchestra. Producing pop albums and numerous classical compositions, two operas, and nearly 45 original film/TV scores, his film soundtracks have won prestigious awards, including an Academy Award, two Golden Globes, a Grammy, and more. Sakamoto also made considerable contributions to the art world with his work exhibited in museums worldwide (Seoul, 2018; Beijing, 2021; Cheng-du, 2023-2024; Tokyo, 2024-2025). As an activist for many decades, he focused on environmental conservation and world peace, including founding the forest preservation organization “more trees”, and the “Tohoku Youth Orchestra” to support the victims of the Tohoku Earthquake through music. Sakamoto passed away on March 28, 2023.

www.sitesakamoto.com
UPCOMING

8.2-8.20[2025]

“Taiwan Spectrum” is a sensory journey through geography, history, culture, and contemporary art. Through the evolution of Taiwanese visual art, the exhibition reflects a vivid microcosm of cultural fusion, creativity, and renewal. Spanning visuals, craft, and sound, the exhibition is composed of three interconnected spaces. Each space reflects a cultural phenomenon. In the interplay of sound, color, and light, viewers witness the island’s ever-evolving cultural vitality and creative force. Through their work, artists inherit history and embrace the present, seeking the colors of Taiwan within an ever-shifting environment. Their creations reflect the resilience and regenerative power of culture.

Read More